A few years ago, I was honored to
chair the annual conference of the University Professional and Continuing
Education Association. The meeting was
to be held in Vancouver, British Columbia.
As a result, the planning committee included colleagues from both Canada
and the U.S. As we talked about the
focus of the conference, an interesting distinction arose between how Canadian
and U.S. continuing education professionals perceived the population they
served. Americans on the committee used
the term “melting pot” to describe how the U.S. understands our
immigration-based society. The
Canadians, on the other hand, talked about their equally diverse culture as a
“cultural mosaic.” The different
perspectives led to some interesting conversations about the role of continuing
higher education in our communities.
That
distinction has come again into sharp focus in light of the recent killings—by
police and against police—in the United States.
After the Dallas, Texas, killing of five police officers former Illinois
Congressman—now a radio talk host—Joe Walsh tweeted a warning to President
Obama, declaring that “This is now war” and that “Real America is coming after
you.” His tweet was a reminder that much
of the cultural turmoil that we are seeing in our politics today can be traced
back to the election of our first mixed-race President. What started with the Tea Party’s pledge to
“take back America” and the “birther” campaign against President Obama has contributed
to what has emerged as a broad racial and cultural divide, despite the fact
that the President is popular among the majority of Americans.
The
problem with the “melting pot” image is that we don’t all melt in at the same
rate. In the end, it turns out, those who melted in more quickly see themselves
as “real Americans” while others remain, in the eyes of these self-appointed
“real” Americans, outsiders.
The Canadians have
it right. It is better to see our
immigration-based society as a mosaic, with each new group bringing unique strengths
and cultural characteristics to a community the identity of which lies in the
texture, color, and shape of each individual piece, without which the “real”
America would be incomplete.
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